Fun Fun Fun Fest 2008 Review: Tim and Eric Awesome Show
November 10, 2008
The crowd for Fun Fun Fun Fest comedy headliners Tim Heidecker and Eric Wareheim of the Tim and Eric Awesome Show was pretty firmly divided into two camps: fans who reveled in every absurd second of the performance, and curious newcomers who gradually came to understand less and less why the tiny stage had drawn such a large crowd.
To kick off the show, the Cartoon Network Adult Swim heroes burst onstage wearing gray spandex and singing “Diarrhea!” to carnival music for a good five minutes before a booming voice came over the speakers, proclaiming, “Tim and Eric are the winners of the Fun Fun Fun Fest’s ‘Best Comedy Sketch’ award for ‘Diarrhea’!”
A mock award ceremony ensued, and as the duo left the stage to prepare for the next skit, the elusive but hilarious punch line dawned on some audience members—the comedians weren’t asking whether their antics were funny, but rather how funny it would be if a diarrhea dance were actually the best comedy bit of the festival. Some attendees left in search of music.
Other sketches were universally well received. The final act, in which Heidecker played a red belt karate “master” giving a spiritual self-help seminar with the silver spandex-clad Wareheim as his sidekick, elicited plenty of laughs throughout, and the audience’s reaction to their friendship-affirming kiss at the end of the bit was palpable.
If you’re not well versed in their comedic style, it can be hard to feel grounded during a Tim and Eric performance, but if you can tap into their rhythm, the payoff is hilarious.
Originally published in the Austin American-Statesman’s Austin360 10 November 2008.
Fun Fun Fun Fest 2008 Review: Minus the Bear
November 10, 2008
The cool exteriors of Seattle-based Minus the Bear’s angularly constructed guitar anthems betray just the right amount of adrenaline bubbling beneath the surface. They’re perfect for smooth highway drives through brightly lit cities or, as was the case on Sunday, the dark and windy setting that was the main stage at Fun Fun Fun Fest.
Though it was less prominent in the newer songs, guitarist Dave Knudson’s two-handed tapping technique created a visual and auditory spectacle that surely boggled the minds of experienced and inexperienced guitarists alike. While his left hand floated over rhythmic riffs on the low end of the fret board, his right punched perfectly timed phrases higher up, transforming his lead work into a mesmerizing dance.
“Houston We Have Uh Oh” and “Absinthe Party at the Fly Honey Warehouse,” two fan favorites from the Bear back catalogue, used this technique the most, but they also showed how much tighter and more comfortable Minus the Bear has become since their earliest days.
Two-thirds through the set, Knudson and singer/guitarist Jake Snider grabbed acoustic guitars to perform “Pachuca Sunrise” and the new “Guns and Ammo” from their recent acoustic EP. Many listeners began to file out of the crowd, and one even proclaimed, “You’ve got to be kidding me. I’m walking away.”
But as the band showed earlier in the set with songs like “When We Escape,” they are masters of emphasizing the rises and falls in their music, so it was only natural that their set would work the same way. After the brief mellow interlude, frantic closers like “Drilling” hit all the harder.
Originally published in the Austin American-Statesman’s Austin360 10 November 2008.
Fun Fun Fun Fest 2008 Scene Report: Favorites from the crowd
November 10, 2008
As the second day of Fun Fun Fun Fest was coming to a close, a few attendees took a couple minutes to weigh in on their favorite acts of the weekend.
Though Bad Brains hadn’t yet played, it seemed that the punk legends were going to win out.
“We’re definitely excited for Bad Brains,” said Jessie Ledi, who drove from Houston for the festival with friend Jonathan Racine.
“We liked DOA, Municipal Waste, and Leftover Crack,” Racine said.
Anthony Bollato of Houston and Aaron Drake of College Station, who stayed around the punk stage for the majority of the festival, were also getting ready for Bad Brains, but they had some other favorites as well.
“I’d already heard most of these bands, but Integrity was pretty cool,” Drake said.
“I liked Black Angels,” Bollato said. “They just got done.”
Eric Lemm of Madison, Wis., flew into Austin to check out the city and distribute demos of his music, and ended up checking out the festival as well.
“I’m definitely going to check out Bad Brains,” he said.
Originally published on the Austin American-Statesman’s Austin360 9 November 2008.
Fun Fun Fun Fest 2008 Review: YACHT
November 10, 2008
Though this year’s Fun Fun Fun Fest is a paradise for fans of punk from decades past, one of Saturday’s most energetic performances came from YACHT, the young electronic duo that played the tiny stage by the festival’s entrance as the sun began to set.
The performance began with the blast of spliced drumbeats and computerized blips characteristic of so many electronic acts. But atop the music were the youthful voices of Jona Bechtolt and Claire L. Evans chanting lines like “You can live any way you want” and “Be careful with the downloading and protect your eyes.”
The duo was barely still for the 45-minute set. Sometimes they danced in sync, other times they danced in free-flowing movements. In one song, they sang, “Will we go to heaven? ‘Cause it’s not understanding,” while Bechtolt kneeled down and Evans placed her hand on his head to push him back, as if to rid him of some plaguing illness in a swift, miraculous act.
At first, the audience moved awkwardly to the music, and most listeners seemed reluctant to dance. But in the third song, when Bechtolt took off his gray-collared overshirt to reveal a white T-shirt boasting an extraterrestrial-eyed Sarah Palin with the word “Palien” written underneath, all inhibition was gone. Listeners began jumping, dancing and waving their hands in the air.
Acts on the electronic stage might not be the main appeal of Fun Fun Fun Fest for many listeners, but as YACHT proved, they certainly have a lot to offer.
Originally published on the Austin American-Statesman’s Austin360 8 November 2008.
Fun Fun Fun Fest 2008 Review: Bishop Allen
November 10, 2008
Just like Vampire Weekend, the indie-pop playing Ivy League alums in Bishop Allen don’t look much like rockers. The clean cut five-piece took Fun Fun Fun Fest’s main stage on Saturday dressed in polos, flannel and a white dress shirt tucked into dark jeans.
The music was mild-tempered as well. The hook-centered pop songs were primarily driven by an acoustic rhythm guitar and an electric lead.
But they were nothing less than spectacular. Tightly held together by forward-driving drumbeats, Bishop Allen moved in a controlled yet energetic manner through a set of pop perfection that drew cues from new wave melodies and, in some instances, the guitar lines on Paul Simon’s “Graceland.”
For the most part, the band gave the crowd a preview of cuts from their forthcoming album, due in February. Beneath tales of heartache and plenty of harmonized “ba ba’s” and “doo doo’s,” the drums galloped while the band danced along.
The only downside to playing so many new songs was that the audience wasn’t familiar with them. Still, Bishop Allen played some older, more familiar numbers, and the performance as a whole was a nice preview of the album to come.
Originally published on the Austin American Statesman’s Austin360 8 November 2008.
Fun Fun Fun Fest 2008 Review: Black Heart Procession
November 10, 2008
For a pair of darkly dressed songwriters with shoulder length hair, Pall Jenkins and Tobias Nathaniel of Black Heart Procession play some surprisingly delicate songs. And on gloomy afternoons or in dimly lit bars, they work perfectly.
But against Fun Fun Fun Fest’s sunny, mild-weathered backdrop, the five-piece’s dreary piano and guitar-driven numbers nearly fell flat. A violin accompanied songs about tears filling oceans and letters being carried through winter, and on the fringes of the dedicated cluster of fans that crowded the stage, many listeners began striking up conversations. Farther back, others napped on blankets.
The band’s stage presence didn’t help much. The members barely spoke more than two sentences between songs, and they stayed firmly planted in their respective spots on the stage.
When the Procession hit its stride, however, ears noticeably perked up. On “Tropics of Love,” syncopated Latin drumbeats backed lively piano rolls, injecting a necessary jolt of energy into the set. “Tangled,” on the other hand, the opener from 2006’s “Spell,” waltzed slowly around haunting piano and string lines, but the song’s dynamic power carried it nonetheless.
The set as a whole was a showcase of tight musicianship. The moments when the violin and guitar lines followed each other were particularly engaging. But sometimes there’s just something to be said for playing the right songs in the right place.
Originally published on the Austin American-Statesman’s Austin360 8 November 2008.